Artist Statement

For the last 17 years, I have dealt with Bipolar Disorder with much of that time being unmedicated.  As such, for the last decade and a half much of my art focused on finding the hope within despair. Leo Tolstoy stated in his short work A Confession, β€œThe horror of the darkness was too great, and I wanted to be free of it as quickly as possible by means of a rope or a bullet.” In many ways my art was a way to hold myself up and resist the darkness.  I needed to know I was not alone.  It was not a plea for pity, but rather a supplication for a friend.  My art reached out to those who, like me, needed a friend.  

In my current project, my focus has turned away from the human figure to working with clay in more of a non-traditional fashion. I have begun to carve clay much like you would turn wood on a lathe in an attempt to combine stemware and ceramics in such a way that maintains the components of both glass and clay.  

Though my figurative work reaches out more to those who need to know they are not alone, my body of work revolves around mending the broken, whether that be taking the broken and discarded glass to make a new image or taking a piece of glassware that has been broken and deemed unusable and turning it into something functioning and new.  This theme of rebuilding has always been an important part of my process and finished pieces.